Vargas Llosa has written an incredibly multi-faceted novel about two extraordinary people in the last century - looked a paradise on earth - each in its own way and wanted to make. tells the life stories of two maladjusted persons: first, the Life of the social reformer and feminist Flora Tristan, on the other the life of her grandson Paul Gauguin, whose impressionistic paintings found only after his death worldwide recognition.
Nach schwerer Kindheit in überaus ärmlichen Verhältnissen und einer fürchterlichen Ehe mit einem gewalttätigen, ihr gewissermaßen aufgezwungenen Mann, flieht Flora Tristan zunächst nach Peru, in das Land ihrer väterlichen, sehr begüterten Herkunftsfamilie. Doch sie findet dort keine wirkliche Ruhe und ist empört, ob der dort vorherrschenden sozialen Mißstände. Flora kehrt zurück nach Frankreich, engagiert sich in der Arbeiterbewegung und kämpft zeitgleich für die Emanzipation der Frau. Sie reist nach London, hält flammende Reden gegen die inhumanen Auswüchse der Früh -Industralisierung, so unter anderem in Paris, Lyon sowie Bordeaux und veröffentlicht 1835 "Weite Reisen einer Paria, "1840" Walks in London, "1843" workers' struggle. "They rebelled against the company and takes the ideas of Karl Marx anticipated. When she died at the age of forty-one years of exhaustion, this, by no means gentle idealist paradise on earth unfortunately not found ...!
your grandson Paul Gauguin initially worked as a stockbroker, and in his civilian job very successfully. He married the Danish Mette S. Gad. The union produced five children. Schuff By Claude Emile Berger He is introduced to the art and began to paint. His life now takes a different course. He separates from Mette, suffered after he gave up his day job has financial need, but can be deterred from his passion. Influenced by the painter Camille Pissarro, he tries to laws of color analog set up the music. He retires to the Breton countryside and passes there into independent expression values. In 1887 he traveled with his friend Laval to Panama in Martinique and begins to paint a wide area. He returns to France, meets in Arles van Gogh. The two artists work together, appreciate each other and yet it comes to arguments that lead to that travels back Gauguin fled to Brittany.
is 1891, the artist, now in Paris as head of the Symbolist school is celebrated for two years to Tahiti. There he paints the natives, with whom they live. An affinity for very young girls is obvious. Due to financial difficulties, he returned to France and has exhibited his paintings in Paris. He built a studio in the rue Vercingetorix, lives with a tonality that is soon separated from him, his studio and eliminates Gauguin leaves destitute. After Notversteigerung many of his paintings the painter leaves his homeland for good. In Punaaia on the west coast of Tahiti, he takes his life back on and create images full of poetry, although he physically and financially not doing well. Repeatedly expressed suicidal thoughts Gauguin. Schwierigkeiten mit der Kolonialverwaltung führen dazu, dass er auf die Insel Atuona ausweicht, wo er zwei Jahre später verstirbt. Seine Vorstellung vom Paradies zeigt sich vor allem im Bild "Woher kommen wir? Was sind wir? Wohin gehen wir?". Die fortschreitende französische Kolonisation Polynesiens verändert allerdings schon zu Lebzeiten Gauguins die Authentizität der Eingeborenen. Das Paradies, das der Maler sucht, ist auch in Polynesien nicht zu finden. "Das Paradies", so stellt Gauguin resigniert fest, "ist anderswo!"
Ein hervorragend geschriebener, unendlich farbenprächtiger, spannender Roman, von großem Tiefgang!
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